„Through a succession of distinctly non-authoritarian configurations, the artist allows the spectator to create this own event, to piece together an infinity of possible narratives – and to express his refusal to do so as well. If the photographs or sculptures are nevertheless marked by clear intentions and references, they impose no definitive meaning. It is in this partage du sensible, to paraphrase Jacques Rancière, in this democracy of interpretation that the fundamental political character of his work shines through.“
Raphaël Brunel